Populus berkarensis

It is a medium-sized deciduous tree, growing to heights of up to 15–30 m (49–98 ft) (rarely more), with a trunk up to 2 m (6.6 ft) in diameter and a broad, rounded crown. The bark is smooth and greenish-white to greyish-white with characteristic diamond-shaped dark marks on young trees, becoming blackish and fissured at the base of old trees. The young shoots are covered with whitish-grey down, including the small buds. The leaves are 4–15 cm (1+1⁄2–6 in) long, five-lobed, with a thick covering of white scurfy down on both sides, but thicker underneath; this layer wears off 8 cm (3+1⁄4 in) long, produced in early spring; they are dioecious, with male and female catkins on separate trees; the male catkins are grey with conspicuous dark red stamens, the female catkins are greyish-green. The female catkins lengthen to 8–10 cm (3+1⁄4–4 in) after pollination, with several green seed capsules, maturing in late spring to early summer. It also propagates by means of root suckers growing from the lateral roots, often as far as 20–30 m (65–100 ft) from the trunk, to form extensive clonal colonies.

The wood is soft but close-grained and easy to carve, shrinking very little during seasoning. It has been used for sculpture from Europe to China and the US. The Penitent Magdalene by Donatello is one 15th-century example. It was the most commonly used wood for panel paintings in Italy throughout the Middle Ages and Renaissance, until mostly replaced as a matrix by canvas from 1500 onwards. Most earlier Italian Renaissance paintings are painted on poplar panels, the Mona Lisa being but one example. White poplar requires abundant light and ample moisture, and stands up well to flood water and slightly acidic soils. Its green-and-white leaves make it an effective ornamental tree, but the root suckers may cause problems in some situations. It is very attractive as an open-grown tree in water meadows, and because of its extensive root system and tolerance of salt, is also planted to strengthen coastal sand dunes. A yellow dye is produced from the bark of the white poplar. The majority of white poplars in cultivation in northern Europe are female trees.

Americas. White poplar was first introduced to North America in 1748 and has a long history in cultivation. It is now found in 43 states throughout the contiguous US. …

An Old English name abele, now not used, is derived from the Latin albellus, white, by way of Old French aubel and Low German name abeel. Leuce/Leuka, the "White Poplar"; Leuce or Leuka (Ancient Greek: Λεύκη) ("White" or specifically "White Poplar") was the most beautiful of the nymphs and an Oceanid, a daughter of Oceanus. Hades fell in love with her and abducted her to the underworld. She lived out the span of her life in his realm, and when she died, the god sought consolation by creating a suitable memorial of their love: In the Elysian Fields, where the pious spend their afterlives, he brought forth a white tree into existence from her body, which became sacred for him from that moment on. In Ancient Greco-Roman mythology, it is a symbol of a peaceful afterlife and a memory of those we love who have died. Herakles crowned himself with this tree to celebrate his return from the underworld.

According to ancient Roman mythology, the white poplar was consecrated to Hercules because he destroyed Cacus in a cavern adjoining the Aventine Hill, which was covered with these trees; in the moment of his triumph, he bound his brows with a branch of white poplar as a token of his victory. Persons offering sacrifices to Hercules were always crowned with branches of this tree, and all who had gloriously conquered their enemies in battle wore garlands of it, in imitation of Hercules. …